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Mary Rose Hill Burton
Mary Rose Hill Burton (20 August 1857 – 5 June 1900) was a Scottish artist and conservationist.〔Janice Helland, "Mary Rose Hill Burton," in Elizabeth Ewan, Sue Innes, Sian Reynolds and Rose Pipes, eds., ''The Biographical Dictionary of Scottish Women'' (Edinburgh University Press 2007): p. 55.〕
==Early life and education==
Mary Rose Hill Burton was born in Edinburgh in 1857, into a well-educated and prominent family: her father was historian John Hill Burton, and her grandfather was legal scholar Cosmo Innes. Her uncle was Robert Finlay, who served as Lord Chancellor of Great Britain; and her aunt, Mary Burton, was the first female director of the Watt Institution and School of Arts in Edinburgh.〔Ann Jones, "Mary Burton," in Elizabeth Ewan, Sue Innes, Sian Reynolds and Rose Pipes, eds., ''The Biographical Dictionary of Scottish Women'' (Edinburgh University Press 2007): p. 54-55.〕 Mary Rose's mother, Katherine Innes Burton, had studied sculpture before working as a nurse in the Crimean War, and was an officer in the Edinburgh Ladies' Educational Association (ELEA). The Burtons were friends to the young Arthur Conan Doyle.〔(Andrew Lycett, ''The Man Who Created Sherlock Holmes'' (Simon and Schuster 2008): 40. )〕〔(Katherine Burton, ed. ''A Memoir of Mrs. Crudelius'' (Printed for Private Circulation by Miller Sons, 1879). )〕〔(Martin Booth, ''The Doctor and the Detective: A Biography of Sir Arthur Conan Doyle'' (Macmillan 2000): p. 15. )〕〔(Katherine Burton, ''Memoir of Cosmo Innes'' (Edinburgh: William Paterson 1874) ).〕〔M. C. Curthoys, "Burton, William Kinninmond (1856–1899)," ''Oxford Dictionary of National Biography'' (Oxford University Press, May 2010) (accessed 30 March 2014 as archived article (no longer current version) ).〕
Mary Rose was educated with support from the Edinburgh Association for the University Education of Women, and pursued further art studies in Munich and Paris, under the instruction of Gustave Courtois and Raphael Collins, among others.〔("Small Talk," ''The Sketch: A Journal of Art and Actuality'' 14(May 20, 1896): p. 142. )〕
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